Celebrated Iowa Saxophonist Damani Phillips introduces audiences to a new generation of musicians, handpicked from his stellar group of Jazz Studies students at the University of Iowa. This
Celebrated Iowa Saxophonist Damani Phillips introduces audiences to a new generation of musicians, handpicked from his stellar group of Jazz Studies students at the University of Iowa. This series draws on the rich history of creation between teacher & student that lies at the heart of the jazz tradition.
Dr. Damani Philips is a native of Pontiac, MI, where he began playing at the age of 10. He currently serves as Associate Professor of Jazz Studies and African-American Studies at the University of Iowa, where he teaches applied jazz saxophone, directs jazz combos and teaches courses in African-American music, African-American culture, jazz education and improvisation. He has earned Bachelor and Master of Music degrees from DePaul University (Chicago) and The University of Kentucky in classical saxophone; and a second Master of Music degree in Jazz Studies from Wayne State University (Detroit). Phillips completed the Doctor of Musical Arts degree in Jazz Studies at the University of Colorado at Boulder in 2009; becoming one of the first African-Americans in the country to earn this degree. He was named a Yamaha performing artist in 2014.
An active performer, pedagogue and composer, Phillips has taught and performed throughout the United States, Europe and South America. He previously served on the full time faculty of Grinnell College, the adjunct faculty of Oakland University (Rochester, MI) and Macomb Community College (Macomb, MI), and is actively sought as a guest artist, clinician, lecturer, panelist and adjudicator throughout the country. As a lecturer, Phillips has presented on a variety of topics on jazz and Black music’s association with American culture at venues such as The African-American Museum of Iowa, the Deutschebank Kunsthalle of (Berlin) and well over a dozen colleges/universities within the United States. As a performer, Phillips has shared the stage with artists/groups such as Lewis Nash, Christian McBride, Wycliffe Gordon, Bobby McFerrin, Marcus Belgrave, Terrell Stafford, Maceo Parker, Pat Bianchi, Bobby Floyd, The Temptations, Red Holloway, Hank Jones and many others. As a recording artist, Phillips released his debut CD “Yaktown Nights” in 2003, “The String Theory” in November of 2010 and “The Reckoning” (featuring New York standouts Pat Bianchi – organ, Greg Gisbert – tpt and Lewis Nash – dr) in 2012. His 2015 recording project “Duality” is a double album featuring a unique synergy between straight-ahead jazz and hip hop music. Phillips’ brand new live recording “Live in Iowa” was released in January of 2018.
Phillips is also an active academic scholar, with scholarly presentations at colleges, universities, professional/civic conferences and scholarly forums both domestically and abroad to his credit. His research focuses on addressing cultural concerns in the pedagogy of Black music within academia. He published his first book titled “What is This Thing Called Soul: Conversations on Jazz and Black Culture” in 2017, which delves into the difficult topic of the decline of Black cultural influence/representation in jazz as traditionally taught in academic spheres.
A native of Geneseo, Illinois, Jim Buennig [BYOO-nig] is a saxophonist, educator, composer, and recording artist based in Iowa City, Iowa, specializing in a range of musical styles with his main focus being jazz. He received a Doctor of Musical Arts degree from the University of Texas at Austin and also holds degrees in music from the University of Iowa and Western Illinois University.
In March 2017, Buennig released It’s Like This, his self-produced debut studio album. The album consists entirely of original compositions and has received wide critical acclaim. Hobart Taylor of Orange County Public Radio (Irvine, CA) called Buennig’s playing “relaxed, not derivative or chasing fashion, and perpetually in the groove.”
Midwest Record described the album as “a solid dose of pure jazz for serious listeners that want to hear some new stuff done right.”
Jim’s major influences include Joe Henderson, Herbie Hancock, Miles Davis, Kenny Garrett, Vincent Herring, Cannonball Adderley, Wayne Shorter, and Tom Harrell.
Our master of sound has done a terrific job with the audio and video quality & you’ll be easily able to cast the video to any device that is chromecast-enabled. Come hear the music play at a safe distance!
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